as writer/director
Nya Does Nothing (2025)
An overworked Chicagoan tries to resist the interruptions to her day off, going to extreme lengths to truly “do nothing.” Winner of the Programmer’s Choice Award at the Renaissance Black Film Festival in New York.
as sound mixer
Backcountry, Red Clay (estimated 2026)
A Film to Fall Asleep (2025)
UDK (2025)
A Sunday on Blackstone (2025)
dream station (2025)
as curator
Black Women Directors Across the Diaspora - DocFilms, University of Chicago (2022)
A film series highlighting the often unseen or undervalued short- and feature-length films of Black women directors. The series won a Best of Chicago award.
Film poster for Black Women Directors Across the Diaspora
Films in the series include: Monangambée (Sarah Maldoror, 1969), A Dessert for Constance (Sarah Maldoror, 1980), Léon G. Damas (Sarah Maldoror, 1994), The Two Faces of a Bamileke Woman (Rosine Mbakam, 2018), Coffee Coloured Children (Ngozi Onwurah, 1988), Une fenêtre ouverte / An Open Window (Khady Sylla, 2005), Losing Ground (Kathleen Collins, 1982), Remembering Wei Yi-fang, Remembering Myself (Yvonne Welbon, 1995), Finding Christa (Camille Billops & James Hatch, 1991), Black Nations/Queer Nations? (Shari Frilot, 1995), An Untitled Portrait (Cheryl Dunye, 1993), She Don't Fade (Cheryl Dunye, 1991), The Potluck and the Passion (Cheryl Dunye, 1993), Towards Tenderness (Alice Diop, 2016), Bodily Functions (Jocelyn Taylor, 1995), Fieldwork Footage (Zora Neale Hurston, 1928), Commandment Keeper Church (Zora Neale Hurston, 1940), Killing Time (Fronza Woods, 1979), Fannie’s Film (Fronza Woods, 1981), Twice As Nice (Jessie Maple, 1989), Une fenêtre ouverte / An Open Window (Khady Sylla, 2005), I am Somebody (Madeline Anderson, 1970), Namibia: Independence Now! (Pearl Bowser, Christine Choy, 1985)